Pro Choice View On Abortion Philosophy Essay

Genius Choice View On Abortion Philosophy Essay Premature birth is one of the most questionable issues talked about everywhere throughout the present reality. A very long while back fetus removal was viewed as just a social issue, yet now circumstance has changed and it has additionally a political and moral setting. The issue of premature birth doesn't turn into a significant moral issue as long as current medication has not given its relative wellbeing, and just now, in ongoing decades, the issue has kindled a sharp open debate. In this way, the fundamental point of this paper is to talk about expert decision see on fetus removal. As a matter of first importance it is important to address the inquiry what a fetus removal is? Abortionâ is the end of aâ pregnancyâ by the expulsion or ejection from theâ uterusâ of aâ fetusâ orâ embryo, coming about in or brought about by its demise. Watching this subject we can see that there are a wide range of purposes of perspectives around this inquiry and there are, obviously, three primary situations on the issue of fetus removal. At one extraordinary we see the supporters of protecting life (individuals who have expert life position) who might boycott premature births in all conditions: they accept that the administration may not empower the devastation of the undeveloped organism or hatchling, legitimizing fetus removal. At the other outrageous are backers of free decision (ace decision position): they accept that the law ought not confine the opportunity of decision for the mother, since every pregnant lady ought to have the chance to demand a fetus removal. Midd le of the road position is involved by the individuals who accept fetus removal is passable just in specific cases (for instance, when the pregnancy is hazardous for the moms life or was the consequence of assault or inbreeding), just as the individuals who accept that it ought not be the principle strategy for anti-conception medication. In this part we are going to concern our consideration on star decision fetus removal and as indicated by Colker, we see that Pro-decision premature birth is the conviction that ladies reserve the privilege to decide to prematurely end a child from their body. The master decision see is that a child doesn't include human rights inside the moms belly. The individuals of the United States never decided on or bolstered this professional decision position. All things considered, it was the U.S. Incomparable Court that authorized fetus removal because of Roe versus Swim on January 22, 1973. (Colker, 1992). Breaking down contemporary circumstance it becomes clear that development for the sanctioning of fetus removal as of late has likewise become an efficient and politically dynamic power: it is bolstered by a progression of exceptionally made associations across the country, and several significant strict gatherings. Rivals of the restriction on premature birth set forward four fundamental moral contentions: 1. No individual will be qualified for propel a lady to safeguard the pregnancy without wanting to. 2. We ought not bring forth undesirable kids. 3. Fetus removal was never exposed to the boycott, if the administrators were not men. (Or on the other hand, as one axiom says, if men could get pregnant, premature birth rights would be viewed as sacrosanct.) 4. In the event that a lady has no option to uninhibitedly discard own body, including control of conceptive capacity, at that point there is no genuine opportunity by any means. Supporters of fetus removal rights commonly begin from the way that the legislature ought not intercede in the protection of ladies choosing for them the destiny of a pregnancy. They accept that each lady ought to have a decision to prematurely end or not, simultaneously, they stress that such decision doesn't drive anybody to a specific choice. What's more, it is noticed that nobody ought to be legally necessary to chance own wellbeing, but then at the total denial of fetus removal, numerous pregnant ladies are presented to the perils of childbearing and labor, just as risky criminal premature births. What supporters of ace decision position need to state about how to manage the privilege to self-realization of the embryo, with its entitlement to life, with its entitlement to the quest for joy? Genius decision supporters continue from the idea of social improvement of character. Since the hatchling has no clue about own future, about own character, at that point it can not act naturally awareness. Once there is no cognizance, at that point the idea of agree to it isn't appropriate. (Jelen Wilcox, 2003). Are these contentions are more powerful than the contentions against premature birth? It's not possible for anyone to state yes or no, in light of the fact that there is nobody single view on this issue in contemporary society. Considering various perspectives on genius life and ace decision premature birth Levitt Dubner expressed that master decision position permits to control criminal circumstance in the nation. They clarified that times of research demonstrate that youngsters from distraught foundations are significantly more liable to become lawbreakers than others. (Levitt Dubner, 2005). Hence, premature births permit to control criminal circumstance in the nation because of their separation impact, since years after the fact, these unborn kids are not recharged the positions of crooks and wrongdoing halted. Discussing this theme and taking a gander at the issue from moral and mental side we ought to recall about the circumstance that the lady, who chose to make premature birth, ended up in mental emergency, and once in a while she is additionally ended up in an incredible gloom, however we can negate to previously mentioned ladies other pregnant lady who hang tight for their infants and are loaded with bliss and fervor that in the closest future they will become moms and will see their little children. There are a wide range of individuals, and various circumstances, yet there is one variable childs life㠢â‚ ¬Ã¢ ¦ It is important to ponder how it can happen that a youngster for one lady is an extraordinary sadness and they are eager to pay cash for childs passing, however for other people, childs birth is acceptable to the point that they go to any costs to have an infant. It is a depiction of double character of one circumstance around childs life㠢â‚ ¬Ã¢ ¦ In this way, as indicated by Staggenborg, in spite of all the help for fetus removal, one of the significant professional decision realities is that the individuals who raise star decision issues to reinforce their motivation are not ace premature birth. They take the option to as a womans opportunity to her body and life. In any case, we should recall that premature birth ought not cloud the sacredness of life. It is imperative to hold up under as a top priority theâ pros and cons of abortionsâ before taking any choices with respect to ones pregnancy. (Staggenborg, 1994). Contemplating all the above expressed it is conceivable to infer that in talking about the ethical parts of fetus removal we normally utilized numerous contentions for some position. Whatever our own view, it is essential to have the option to perceive the methods of argumentation in moral thinking, which as a general rule isn't as consistent as it would appear from the start. It is important to recall that each human kid ought to be needed, supported, adored and valued. In such a manner contraception and premature birth are the piece of vital approach toward this path. Decisions for this situation ought to have a place with the pregnant lady, and just her desire to spare or not to spare a kid ought to be the fundamental contention in star decision position.

360-Degree Performance Reviews Provide Greater Feedback in Healthcare

Conceptual Healthcare associations have a special arrangement of difficulties, especially with regards to estimating execution and understanding improvement needs. Some are solid at estimating clinical or useful aptitudes. However few are similarly capable at surveying the non-clinical aptitudes that are so critical to generally achievement in a human services association. 360-degree criticism can assume a huge job in understanding the opposite side of execution, those aptitudes that are not legitimately attached to everyday, work explicit capacity. Instead of depending on the view of one individual, 360-degree criticism considers numerous points of view. This is particularly significant when one individual (I. e. , the employee’s chief) doesn't have the chance to watch all regions of the employee’s execution. Those working close by the representative, alongside the director, are commonly ready to give a progressively far reaching take a gander at the employee’s conduct or potentially execution. 360-Degree Performance Reviews Provide Greater Feedback in Healthcare I. Presentation Performance of individual representatives is vital to the drawn out achievement of an association. Social insurance associations have a one of a kind arrangement of difficulties, especially with regards to estimating execution and understanding advancement needs. Some are solid at estimating clinical or utilitarian aptitudes. However few are similarly capable at surveying the non-clinical abilities that are so essential to generally accomplishment in a human services association. Clinical, or practical, capacity is at the base of social insurance execution. Be that as it may, having these aptitudes doesn't generally guarantee achievement. Lamentably, numerous associations overlook â€Å"soft side† abilities like correspondence and relationship the executives, seeing these relational and conduct aptitudes as â€Å"nice to have† characteristics. However absence of relational execution is something that for the most part can't be made up for by even the most grounded of clinical abilities (Maylett, 2009). II. Desires for the Consumer Issues of execution and efficiency are persistently being investigated by the pioneers of medicinal services associations. In spite of the fact that cost is urrently the main thrust for human services framework change, there is as yet extraordinary worry for the nature of the social insurance gave. Customers of human services administrations are currently asking â€Å"How would i be able to get the best consideration for minimal measure of cash? † This implies for an association to increas e upper hand, they should ensure that not exclusively is the nature of care high, however the cost should likewise be sensible when contrasted with different suppliers of comparable administrations. Similarly significant for the human services association to perceive is that the meaning of value execution isn't â€Å"value-neutral†. Gauges are constantly developing to reflect changes in values, new logical discoveries, new innovation, changes in administrative prerequisites and laws and changes in the medicinal services commercial center. The adjustments in these gauges mirror the contrasts between the buyer and the patient. The medicinal services buyer is concerned how adequately their dollars are spent and getting the most consideration for their cash, while the patient anticipates that the social insurance supplier should be receptive to their individual needs (Popovich, 1998). As of now, the Joint Commission requires certify human services associations to survey, follow and improve the capability all things considered (Fried and Fottler, 2008). Furthermore, the Malcolm Baldridge National Quality Awards best strategic policies incorporates a model that is by and large progressively followed by the social insurance industry that tends to key human asset rehearses coordinated toward making an elite working environment and toward creating staff by execution the board frameworks (Kuzmits, Adams, Sussman and Rabo, 2004). As cost balances out and turns out to be progressively adjusted across suppliers, quality will turn out to be increasingly significant in choosing which association or supplier to utilize. As indicated by the Joint Commission on Accreditation of Healthcare Organizations, â€Å"accurate, complete and important execution information can furnish clients of hierarchical administrations with target proof on which quality decisions can be based. † Patients and customers presently reliably survey the exhibition history of human services suppliers, associations and frameworks. Thusly, those suppliers ought to survey their presentation to help recognize open doors for development (Popovich). III. Execution Assessment and Management Having a well-working execution the board framework can enable the association to decide a few things, including the adequacy of their choice procedure, the viability of their preparation systems and whether the organization’s remuneration program is powerful at driving representatives to perform at a more significant level. Execution the board alludes to a lot of instruments and practices that comprises of defining objectives with workers, structuring techniques to make and continue improvement, observing advancement toward accomplishing objectives, progressing criticism and instructing by managers and companions, and estimating singular execution. Bosses and workers will in general be uncomfortable with execution the board and audits, considering the procedure awkward, exceptionally ineffective and some of the time even pointless. Administrators are regularly awkward with plunking down to examine worries about execution with representatives and workers frequently feel just as their chiefs are being basic and stooping during the procedure. Confusing issues is that exhibition evaluations and surveys can be very passionate, particularly when straightforwardly attached to an employee’s potential remuneration. Conventional execution examinations have included the employee’s chief gathering data about the worker, watching their exhibition and afterward sharing that data back with the representative. The audit may incorporate conversations about advancement, change in remuneration, disciplinary activity, move or suggestions for preparing. One worry with these sorts of appraisals is that they are frequently dependent upon the predispositions and subjectivity of a solitary person. Given the multifaceted nature of most social insurance occupations, it is regularly unreasonable for one individual to precisely portray the employee’s execution. Also, customary execution evaluation done only for managerial reasons might be not exactly sufficient for empowering advancement, profession arranging or execution improvement (Jackson and Greller, 1998). Another worry with the conventional single source execution examination is that administrators just view execution from one viewpoint and regularly can't straightforwardly watch worker execution. Besides, director based evaluation frameworks don't effectively catch numerous significant worker commitments, for example, aiding and preparing collaborators and being acceptable cooperative people (Fedor, Bettenhausen and Davis, 1999). IV. Multi-source, or 360-degree, Performance Reviews Assessing execution in today’s complex human services condition loathes a test to the medicinal services calling. So as to successfully assess execution inside this complex and developing condition, assessment from numerous sources is required. Among the most valuable approaches to gather work execution data is to utilize different sources, or 360-degree input. This strategy perceives that for most positions, depending on one wellspring of data about an employee’s execution prompts inadequate and frequently off base data. This is particularly significant when one individual (I. e. the employee’s boss) doesn't have the chance to watch all territories of the employee’s execution. Those working nearby the representative, alongside the chief, are commonly ready to give a progressively far reaching take a gander at the employee’s conduct as well as execution. Criticism is an imperative piece of execution, development and advancement. Getting ourselves and how we collaborate with others causes us to comprehend what sway we have on people around us. A 360-degree appraisal gives a complete outline of an employee’s aptitudes, capacities, styles and occupation related abilities. The rationale fundamental 360-degree criticism is that there are numerous wellsprings of data in associations, and quite a bit of that data is accessible both to the chief and to the representative. Associates, clients, different directors and even the representative themselves can be wellsprings of input (Jackson and Greller). Basically, 360-degree criticism is a strategy for assessing an employee’s execution dependent on input from everybody with whom the individual comes in contact †chiefs, collaborators, accomplices, subordinates, even the overall population. This sort of input assists workers with considering themselves to be others see them and permits them to genuinely look at their conduct. It permits them to see how others see their viability and become increasingly conscious of how their adequacy as an individual, colleague or representative is seen by others. It can uncover regions in which workers are performing especially well and those regions in which there is opportunity to get better. 360-degree input furnishes the worker and the association with an abundance of data including the accompanying: †¢ an expansion in self-information for the representative empowers persistent learning †¢ animates the representative to upgrade their qualities †¢ recognizes regions that need advancement or improvement †¢ gives direction to positive change †¢ bolsters training and tutoring activities This data assists with building an association between the individual and the association to keep up the procedure of ceaseles s development (Bentley, n. d. ). This survey procedure is likewise useful for the chief †it can give an increasingly exact evaluation of an employee’s execution and help dispense with accusat

What Is Romanticism - Free Essay Example

What is romanticism Romanticism is a form of art that contains many types. It started in the late 18th century inside Europe. Romanticism had a certain influence on politics. In order to pursue people’s ideal life, they took their weapon and had an uprising. And also, except for the influence on politics, it also had impacts on history and educational ideas. These things had big changes. Romanticism stresses beauty and freedom. So in the period of romanticism, the mind of people changed, people’s appreciation of beauty changed too. The main forms in romanticism are music, art, and literature. Romanticism is precisely situated neither in choice of subject nor in exact truth, but in a way of feeling. Charles Baudelaire (1821-1867) About French Romanticism French Romanticism French romanticism appears first in art and then in music. French romanticism developed late in literature. After few years of the French Revolution and Napoleon suffered a defeat the last time in his life, the wave of romanticism began to spread in France. People started to quote drawing, write music, write articles etc. to express what they hope and what they want in their mind. At that time, these artworks had been called: works of art in the peered of romanticism. And also, at that time, different artists have their own style, but this didn’t show a mess, this can only explain that in France, romanticism has no single forms. So my definition of French romanticism is: diversify and colourful. Liberty Leading the People (1830) BACKGROUND The first work Im going to introduce is called â€Å"Liberty leading the people†. The work was inspired by the French Revolution in July 1830. So it has another name called â€Å"27th July 1830†. First, lets take a look at the background of the painting. In the year of 1815, an uprising happened in France. People overthrew Napoleon. In 1830, the new successor, Charles X, had tried to consolidate the dynasty. But at that time, people are not satisfied with life, they wanted to revolt. At that point, all Paris people knew this message, they all took their weapon and fought for the overthrow of the Bourbons. Luckily, they succeeded. There was the main person in this revolt, it’s a woman, she held the France flag upon his head. What an exciting moment it was at that time! However, when she tried to put the flag on the bridge near the Notre Dame de Paris. She had been shot down by gun. When the artist saw this picture, he was really angry. In order to commemorate this revolt, he drew this famous painting. And this is the background of the painting. Analyze Liberty Leading the People This painting is the most connotation artwork in an artist’s life. Inside this famous artwork, there are many people that symbolize different levels in the human world. The girl in the middle is the most important part of the whole work. Around the girl, there are a large number of people, some with guns, some kneeling on the floor, some with the machete. The Notre Dame de Paris not far away is like a floating illusion. In the sky, there is thick black smoke. This girl held the flag of France high above her head. Beside her, there are lots of insurrectionists. ? We could see a man who is kneeling on the floor, he is wearing a red scarf on his head, blue shirt, we can also see a little white under his shirt. Fist, what I want to say is we can discover his clothes’ colour is the same as the France flag. And through my observation, I found out this picture use red, white and blue for the main colour for this work of art, to show us a vivid picture. Next, what we need to observe about is the girl that is holding the national flag high. She had a dominant position in this work of art. Because this painting is a real event in the history, and this is very real, so we will be able, as it were, to see, to hear and to feel their action in the history. And make us easy to understand the great events of the 18th century in France. ? Why I can judge this painting is romantic because by understanding the background of this painting, and the content inside history, and also by analyzing the painting, we can discover the truth of romanticism, and what the people’s hopes are. So we can know that this is a romanticism painting. The Massacre at Chios (1824) BACKGROUND This painting is the same author as the one on the page before. We still have to get to the background of the painting. In 1822, Turkey captured the Greek island of Theo. Robbed the island completely. It is obvious that these people in Turkey had angered all the people of Europe. There was a feeling of discontent. Of course, the author of the painting also knew about it. And we all know that painters like to record bits and pieces of life. Then Delacroix likes to record history. He expressed his anger at the Turkish invaders and drew the picture. So this is the historical background. Delacroix is one of the greatest artists in the world. And most of his paintings are recording some of Europes famous historical events. While we understand the background of the painting, lets take a look at the painting. We can see that some peoples eyes are full of despair, some people lie to the ground, and we can even see people sitting on the ground not far behind. But they are all Greek people. They were in great pain and despair. They could not struggle, but could only be stepped on by the invaders. There was no hope in their faces, no light in their eyes, and it was miserable. Even the sky was gloomy by the big matter. This is a tragedy in history. We can also see on the right the Turkish invader riding a horse trying to kick off the woman that was holding him. The smoke of war made everything grey. This is a human tragedy. Since we know that this is a real event, that is to say, the painting can reflect the true events of the time, and this style confirms that the painting is a Romantic work. Symphonie Fantastique by Hector Berlioz Then came the romantic music. The first is Hector Berlioz’s’ Symphony of Fantasy. This is a symphony written by Berlioz in 1830. This piece of music is inspired by the authors real life. The authors inspiration for all the movements comes mainly from the actress in one of the play. Of course, the play was famous during the Romantic period and was a favourite of the time. Later, the Symphony of Fantasy written by Berlioz became a symbol of romanticism. The symphony is so popular in France that it is highly regarded. Someone said thatâ€Å"I accept that this symphony is of an almost inconceivable strangeness and that the schoolmasters will no doubt pronounce an anathema on these profanations of the ‘truly beautiful’. But for anyone who isn’t too concerned about the rules I believe that M. Berlioz if he carries on in the way he has begun, will one day be worthy to take his place beside Beethoven.†(Symphony guide: Hector Berliozs Symphonie,August 19, 2014) We all know that the symphony created by Berlioz was inspired by an actress, so how did Berlioz get to know the actress, mainly because he likes to appreciate and watch plays, As he watched a Shakespeare’s comedy, it was the actress Harriet Smithsonian who won his attention. It can be said that the content of the symphony is similar to that drama. The music is divided into five movements, the story of each piece is linked together. The whole story is about a man who finds someone he thinks he loves at a dance, but he suspects that his lover betrayed him, so he kills his lover and puts himself on the guillotine. Finally, he found himself at his own funeral. He saw crazy ghosts and horrible women dancing out of control. In this way, the story is over. ? The creation of Berlioz changed the history of music. The history of music adds a romantic style, which is completely different from the past. If we observe the details of this symphony, to understand the source of inspiration, to understand the story of music, we can use it as a reference to history. The symphony begins with nervous and becomes lyrical in the second movement. In the third movement, the atmosphere becomes repressed, the fourth movement becomes hasty, and the fifth becomes horrific. The change in emotion is evident, which helps us analyze music. So lyric individual characteristics become an important feature of romantic music. Symphony No. 3 (Saint-Saà «ns) Charles Camille Saint-Saà «ns Charles Camille Saint-Sant French composer and keyboard player. His works have an influence on the French music world. The important works include Animal Carnival, Skeleton Dance, Samson and Delilah, and so on. Symphony No. 3 (Saint-Saà «ns) The famous symphony is by Charles, another Romantic musician after Berlioz. But by comparison, Charless work was freer. Its hard to understand, but its interesting to go into detail in his works.? The symphony begins in a short, slow form, but followed by lyricism and grace. But slowly become terrible, it seems to be unsatisfied with the world. Everywhere is full of death. Everything was struggling and becoming crazy. No one can control it. The symphony ends in this crazy form. Although this form is difficult to understand, it is one of the representative works of romanticism. For it is free and has its own thoughts. It doesnt care about others, it just wants its own freedom. So thats why this symphony is coming to us in this form.? We know that romanticism is a period that pursuit beauty and freedom. But as we mentioned earlier, in romantic periods, everyone has their own unique aesthetic. So there is no single form of romanticism, it is rich and colourful. Because Charles in the Romantic period showed unique, so he won in the Romantic period based on the status.? His works are well at the expression in every important place. Nowadays, people may understand romanticism as lyrical, full of music, beautiful and quiet. But when you investigate at romanticism, you will find that romanticism is not just a small part of the characteristics, it also has a few of its biggest characteristics: true, rich, human. These features are reflected in Charles works one after another. Charles showed not only the essence of romanticism but also the liberation of human nature. This is my highest evaluation for Charles.

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Synthesis And Characterization Of Hap / Mgo Nanocomposite...

Synthesis and Characterization of HAP/MgO Nanocomposite for Biomedical Applications V.Vijayalakshmi a*, M.Rajkumar b , S.Vignesh raj c , M.Sathish b a Erode Sengunthar Engineering College, Erode. b P.S.G College of Arts and Science, Coimbatore. c P.S.G. Institute of Technology, Coimbatore. Email ID: vijiphysics007@gmail.com Abstract: In this study, a novel method was used to produce a nanostructured composite consisting of hydroxyapatite and MgO by varying the temperature. The structure and morphology of the synthesized nanocomposite were characterized. From X-ray diffraction (XRD) analysis, an increase in crystallite size and degree of crystallinity with an increase in the temperature was observed. The XRD investigation confirms that the grain size of the synthesized nanocomposite is in the range 4-11nm. The grain size increases when the temperature is increased due to the agglomeration of nanoparticles. The Fourier Transform Infrared Spectroscopy (FTIR) studies confirm the presence of PO43-, CO32- and Mg2+, and OH- groups. The UV-VIS Spectroscopy measurements show the reduction in the band-gap upon the temperature. Transmission Electron Microscope (TEM) images ascertained that nano HAP/MgO at 2500C and 3000C composite shows flakes like morphology. 1. Introduction Among all calcium phosphate bioceramics, hydroxyapatite (HAP), Ca10(PO4)6(OH)2, is the most extensively used biocompatible ceramic materials for bone tissue engineering, as its chemical compositionShow MoreRelatedSynthesis And Characterization Of Ha / Alumina1937 Words   |  8 PagesSynthesis and Characterization of HA/Alumina and HA/MgO Nanocomposite for Biomedical Applications V.Vijayalakshmi a*, P.Dhanasekaran a, M.Sathish b a Department of Physics, Erode Sengunthar Engineering College, Erode, India. b Department of Physics, P.S.G College of Arts and Science, Coimbatore, India. Email ID: vijiphysics007@gmail.com Abstract: In this study, HA/Alumina and HA/MgO nanocomposites were successfully prepared by using hydrothermal method at 2500C. The mechanisms of composite formation

Adams Capital Management Case Study Essay Example For Students

Adams Capital Management Case Study Essay Case Study: Adams Capital Management 1. Adams espouses a â€Å"market first† analysis of opportunity by looking for discontinuities. Is this substantive or window-dressing? Do the four types of discontinuities represent applicable guidelines? Are they comprehensive, or are there other discontinuity templates that a venture investor would find useful? 2. Analyze Structured Navigation. Is this a valid measurement of progress in early stage investing? Could such a program ever be a hindrance to company development? 3. How does the ACM approach affect the recruiting, training, and management of ACM partners? 4. How should LPs of ACM view the ACM approach to technology start-ups (i. e. : Discontinuities and Structured Navigation)? Should ACM shift its strategy? 5. If you were an LP, would you commit to Adams Capital Fund IV? How should the ACM Partners position and sell Fund IV? 1. Adams capital management uses a â€Å"market first† approach in which the entire firm agrees upon the markets of interest before considering individual companies, thereby investing based on business fundamentals or market analysis. In context with ACM, this approach is substantive since the GP’s all have engineering backgrounds, and they chose to focus on the information technology and telecommunications/semiconductor industries, hence utilizing their experience and expertise in choosing and exploiting discontinuities within the markets. Exploiting market opportunities raised from dramatic and sudden changes in a large and established market is the fundamental core of discontinuity –based investing. ACM partners identified four applicable categories of causes for discontinuities; standards, regulations, technology and distribution. These four categories cover companies that have competitive advantage over a market or companies that are positioned such they would capitalize on a new market reality. In a sense it is comprehensive however as the definition suggests, any opportunity that may be exploited such that start up companies have a chance to become market leaders is useful to venture investors. 2. Structured navigation is essentially a five process checklist system for managing investments. ACM does this by deeply involving themselves in their portfolio companies Aspects of the structured navigation include: * Establish a talented management team * Obtain a corporate partner or endorsement * Gain early exposure o industry and investment banking analysts * Expand the product line * Implement best practice The partners felt this was a valid measurement of progress in early stage investing since early stage technology companies shared many of the same benchmarks and needed many of the same elements to succeed. I believe the program wouldn’t be a hindrance to company development due to its flexibility in the sense that there is no specific order in which they need to be â€Å"finished† and that the processes are positively correlated, overall increasing the probability of success of the company. 3. The ACM approach differs from conventional venture firms in the sense that instead of venture capitalists, partners, being key deal makers , each partner would be recruited, trained and managed the same way most business were; where employees , in principal, replaceable. . LP’s of ACM would probably have a strong positive view on the ACM approach. ACM portrays a specialised expertise in technology start ups with its discontinuities based investing and due diligence in management through its structured navigation. To a LP it is reassuring to see ACM capitalizing on competitive advantage, that being said ACM should not shift its strategy. However the issue lies with the allocat ion of resources in managing portfolio companies, where investing in more companies would dilute managerial resources. . Due to the systematic appeal of Discontinuities based investing and structured navigation approach of ACM, I would invest in Adams capital Fund IV. Considering that earlier funds operated in a more volatile market environment for VC, and that ACM is going to market with a good small early fund, a struggling second fund and a yet unproven third fund, the question lies with whether ACM decides to acquire and maintain significant positions and board seats as they had in ACM Fund III.

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This job is much more serious than that one. 2. The natural toxicants are as harmful for wellness as the chemical 1s. 3. The more you read about nutrient, the better you know about its belongingss. 4. The myocardial infarctioncrobiologist s minuteT of import part to the nutrient Indusattempt isthe production of safe merchandises. # 1054 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ;: 1. # 1069 ; # 1090 ; # 1072 ; # 1087 ; # 1088 ; # 1086 ; # 1073 ; # 1083 ; # 1077 ; # 1084 ; # 1072 ; # 1085 ; # 1072 ; # 1084 ; # 1085 ; # 1086 ; # 1075 ; # 1086 ; # 1089 ; # 1077 ; # 1088 ; # 1100 ; # 1077 ; # 1079 ; # 1085 ; # 1077 ; # 1081 ; , # 1095 ; # 1077 ; # 1084 ; # 1082 ; # 1072 ; # 1082 ; # 1072 ; # 1103 ; # 1073 ; # 1099 ; # 1090 ; # 1086 ; # 1085 ; # 1080 ; # 1073 ; # 1099 ; # 1083 ; # 1072 ; . 2. # 1045 ; # 1089 ; # 1090 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1077 ; # 1103 ; # 1076 ; # 1099 ; # 1089 ; # 1090 ; # 1086 ; # 1083 ; # 1100 ; # 1078 ; # 1077 ; # 1074 ; # 1088 ; # 1077 ; # 1076 ; # 1085 ; # 1099 ; # 1076 ; # 1083 ; # 1103 ; # 1079 ; # 1076 ; # 1086 ; # 1088 ; # 1086 ; # 1074 ; # 1100 ; # 1103 ; # 1082 ; # 1072 ; # 1082 ; # 1080 ; # 1093 ; # 1080 ; # 1084 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1080 ; # 1077 ; . 3. # 1063 ; # 1077 ; # 1084 ; # 1073 ; # 1086 ; # 1083 ; # 1100 ; # 1096 ; # 1077 ; # 1042 ; # 1099 ; # 1095 ; # 1080 ; # 1090 ; # 1072 ; # 1077 ; # 1090 ; # 1077 ; # 1086 ; # 1077 ; # 1076 ; # 1077 ; , # 1090 ; # 1077 ; # 1084 ; # 1083 ; # 1091 ; # 1095 ; # 1096 ; # 1077 ; # 1042 ; # 1099 ; # 1079 ; # 1085 ; # 1072 ; # 1077 ; # 1090 ; # 1077 ; # 1086 ; # 1077 ; # 1075 ; # 1086 ; # 1089 ; # 1074 ; # 1086 ; # 1081 ; # 1089 ; # 1090 ; # 1074 ; # 1072 ; # 1093 ; . 4. # 1057 ; # 1072 ; # 1084 ; # 1099 ; # 1081 ; # 1074 ; # 1072 ; # 1078 ; # 1085 ; # 1099 ; # 1081 ; # 1074 ; # 1082 ; # 1083 ; # 1072 ; # 1076 ; # 1084 ; # 1080 ; # 1082 ; # 1088 ; # 1086 ; # 1073 ; # 1080 ; # 1086 ; # 1083 ; # 1086 ; # 1075 ; # 1072 ; # 1074 ; # 1087 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1091 ; # 1102 ; # 1087 ; # 1088 ; # 1086 ; # 1084 ; # 1099 ; # 1096 ; # 1083 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1089 ; # 1090 ; # 1100 ; # 1087 ; # 1088 ; # 1086 ; # 1080 ; # 1079 ; # 1074 ; # 1086 ; # 1076 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1073 ; # 1077 ; # 1079 ; # 1086 ; # 1087 ; # 1072 ; # 1089 ; # 1085 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1091 ; # 1082 ; # 1090 ; # 1086 ; # 1074 ; . 4. # 1055 ; # 1077 ; # 1088 ; # 1077 ; # 1087 ; # 1080 ; # 1096 ; # 1080 ; # 1090 ; # 1077 ; # 1080 ; # 1087 ; # 1080 ; # 1089 ; # 1100 ; # 1084 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1087 ; # 1077 ; # 1088 ; # 1077 ; # 1074 ; # 1077 ; # 1076 ; # 1080 ; # 1090 ; # 1077 ; # 1085 ; # 1072 ; # 1088 ; # 1091 ; # 1089 ; # 1089 ; # 1082 ; # 1080 ; # 1081 ; # 1103 ; # 1079 ; # 1099 ; # 1082 ; # 1089 ; # 1083 ; # 1077 ; # 1076 ; # 1091 ; # 1102 ; # 1097 ; # 1080 ; # 1077 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1083 ; # 1086 ; # 1078 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; , # 1086 ; # 1073 ; # 1088 ; # 1072 ; # 1097 ; # 1072 ; # 1103 ; # 1086 ; # 1089 ; # 1086 ; # 1073 ; # 1086 ; # 1077 ; # 1074 ; # 1085 ; # 1080 ; # 1084 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; # 1085 ; # 1072 ; # 1087 ; # 1077 ; # 1088 ; # 1077 ; # 1074 ; # 1086 ; # 1076 ; # 1085 ; # 1077 ; # 1086 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1077 ; # 1083 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1093 ; # 1084 ; # 1077 ; # 1089 ; # 1090 ; # 1086 ; # 1080 ; # 1084 ; # 1077 ; # 1085 ; # 1080 ; # 1081 ; . 1. There are some major procedures for nutrient saving. 2. Nitrogeno one wanted to eat nutrient WisconsinThursday chemical preservatidegree Fahrenheits and addiTidegree Fahrenheits. 3. Are at that place any colouring agents in cosmetics, drugs? 4. Bites are popular. Peoples eat them anyplace at any Time. # 1054 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ;: 1. # 1045 ; # 1089 ; # 1090 ; # 1100 ; # 1085 ; # 1077 ; # 1082 ; # 1086 ; # 1090 ; # 1086 ; # 1088 ; # 1099 ; # 1077 ; # 1075 ; # 1083 ; # 1072 ; # 1074 ; # 1085 ; # 1099 ; # 1077 ; # 1087 ; # 1088 ; # 1086 ; # 1094 ; # 1077 ; # 1089 ; # 1089 ; # 1099 ; # 1076 ; # 1083 ; # 1103 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; . 2. # 1053 ; # 1080 ; # 1082 ; # 1090 ; # 1086 ; # 1085 ; # 1077 ; # 1093 ; # 1086 ; # 1090 ; # 1077 ; # 1083 ; # 1073 ; # 1099 ; # 1077 ; # 1089 ; # 1090 ; # 1100 ; # 1077 ; # 1076 ; # 1091 ; # 1089 ; # 1093 ; # 1080 ; # 1084 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1080 ; # 1084 ; # 1080 ; # 1082 ; # 1086 ; # 1085 ; # 1089 ; # 1077 ; # 1088 ; # 1074 ; # 1072 ; # 1085 ; # 1090 ; # 1072 ; # 1084 ; # 1080 ; # 1080 ; # 1076 ; # 1086 ; # 1073 ; # 1072 ; # 1074 ; # 1082 ; # 1072 ; # 1084 ; # 1080 ; . 3. # 1045 ; # 1089 ; # 1090 ; # 1100 ; # 1083 ; # 1080 ; # 1093 ; # 1080 ; # 1084 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1080 ; # 1077 ; # 1101 ; # 1083 ; # 1077 ; # 1084 ; # 1077 ; # 1085 ; # 1090 ; # 1099 ; # 1074 ; # 1082 ; # 1086 ; # 1089 ; # 1084 ; # 1077 ; # 1090 ; # 1080 ; # 1082 ; # 1077 ; , # 1083 ; # 1077 ; # 1082 ; # 1072 ; # 1088 ; # 1089 ; # 1090 ; # 1074 ; # 1072 ; # 1093 ; ? 4. # 1047 ; # 1072 ; # 1082 ; # 1091 ; # 1089 ; # 1082 ; # 1080 ; # 1087 ; # 1086 ; # 1087 ; # 1091 ; # 1083 ; # 1103 ; # 1088 ; # 1085 ; # 1099 ; . # 1051 ; # 1102 ; # 1076 ; # 1080 ; # 1077 ; # 1076 ; # 1103 ; # 1090 ; # 1080 ; # 1093 ; # 1087 ; # 1086 ; # 1074 ; # 1089 ; # 1102 ; # 1076 ; # 1091 ; # 1074 ; # 1083 ; # 1102 ; # 1073 ; # 1086 ; # 1077 ; # 1074 ; # 1088 ; # 1077 ; # 1084 ; # 1103 ; . 5. # 1055 ; # 1077 ; # 1088 ; # 1077 ; # 1087 ; # 1080 ; # 1096 ; # 1080 ; # 1090 ; # 1077 ; # 1089 ; # 1083 ; # 1077 ; # 1076 ; # 1091 ; # 1102 ; # 1097 ; # 1080 ; # 1077 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1083 ; # 1086 ; # 1078 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; , # 1086 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1077 ; # 1083 ; # 1080 ; # 1090 ; # 1077 ; # 1074 ; # 1085 ; # 1080 ; # 1093 ; # 1074 ; # 1080 ; # 1076 ; # 1086 ; # 1074 ; # 1088 ; # 1077 ; # 1084 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1077 ; # 1092 ; # 1086 ; # 1088 ; # 1084 ; # 1099 ; # 1075 ; # 1083 ; # 1072 ; # 1075 ; # 1086 ; # 1083 ; # 1086 ; # 1074 ; # 1080 ; # 1091 ; # 1082 ; # 1072 ; # 1078 ; # 1080 ; # 1090 ; # 1077 ; # 1080 ; # 1093 ; # 1080 ; # 1085 ; # 1092 ; # 1080 ; # 1085 ; # 1080 ; # 1090 ; # 1080 ; # 1074 ; ; # 1087 ; # 1077 ; # 1088 ; # 1077 ; # 1074 ; # 1077 ; # 1076 ; # 1080 ; # 1090 ; # 1077 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1083 ; # 1086 ; # 1078 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1085 ; # 1072 ; # 1088 ; # 1091 ; # 1089 ; # 1089 ; # 1082 ; # 1080 ; # 1081 ; # 1103 ; # 1079 ; # 1099 ; # 1082 ; . 1.Modern methods demonstrated( Past Indefinite Active Voice ) the toxic effects of some coloring material ingredients. 2. You wbadly look into( Future Continuous Passive Voice ) the operation of generators, thrusts, electrical measurement instruments and the similar. 3. Carbohydrate is( Present Continuous Active Voice ) a signifier of sugar. 4. This alteration in works and carnal nutrients took( Past Indefinite Active Voice ) topographic point bit by bit over many centuries. # 1054 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ;: 1. # 1057 ; # 1086 ; # 1074 ; # 1088 ; # 1077 ; # 1084 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1077 ; # 1084 ; # 1077 ; # 1090 ; # 1086 ; # 1076 ; # 1099 ; # 1076 ; # 1077 ; # 1084 ; # 1086 ; # 1085 ; # 1089 ; # 1090 ; # 1088 ; # 1080 ; # 1088 ; # 1086 ; # 1074 ; # 1072 ; # 1083 ; # 1080 ; # 1103 ; # 1076 ; # 1086 ; # 1074 ; # 1080 ; # 1090 ; # 1099 ; # 1077 ; # 1101 ; # 1092 ; # 1092 ; # 1077 ; # 1082 ; # 1090 ; # 1099 ; # 1085 ; # 1077 ; # 1082 ; # 1086 ; # 1090 ; # 1086 ; # 1088 ; # 1099 ; # 1093 ; # 1094 ; # 1074 ; # 1077 ; # 1090 ; # 1086 ; # 1074 ; # 1099 ; # 1093 ; # 1082 ; # 1086 ; # 1084 ; # 1087 ; # 1086 ; # 1085 ; # 1077 ; # 1085 ; # 1090 ; # 1086 ; # 1074 ; . 2. Âà » à ¬Ãƒ ®Ãƒ ¦Ãƒ ¥Ãƒ ²Ãƒ ¥ à ¯Ãƒ °Ãƒ ®Ãƒ ¢Ãƒ ¥Ãƒ °Ãƒ ¨Ãƒ ²Ãƒ ¼ à ¤Ãƒ ¥Ãƒ ©Ãƒ ±Ãƒ ²Ãƒ ¢Ãƒ ¨Ãƒ ¥ à £Ãƒ ¥Ãƒ ­Ãƒ ¥Ãƒ °Ãƒ  Ãƒ ²Ãƒ ®Ãƒ °Ãƒ ®Ãƒ ¢ , à ¤Ãƒ ¢Ãƒ ¨Ãƒ £Ãƒ  Ãƒ ²Ãƒ ¥Ãƒ «Ãƒ ¥Ãƒ © , à ½Ãƒ «Ãƒ ¥Ãƒ ªÃƒ ²Ãƒ °Ãƒ ¨Ãƒ ·Ãƒ ¥Ãƒ ±Ãƒ ªÃƒ ¨Ãƒ µ à ¨Ãƒ §Ãƒ ¬Ãƒ ¥Ãƒ °Ãƒ ¨Ãƒ ²Ãƒ ¥Ãƒ «Ãƒ ¼Ãƒ ­Ãƒ »Ãƒ µ à ¯Ãƒ °Ãƒ ¨Ãƒ ¡Ãƒ ®Ãƒ °Ãƒ ®Ãƒ ¢ à ¨ à ².à ¯ . 3. # 1059 ; # 1075 ; # 1083 ; # 1077 ; # 1074 ; # 1086 ; # 1076 ; # 1092 ; # 1086 ; # 1088 ; # 1084 ; # 1072 ; # 1089 ; # 1072 ; # 1093 ; # 1072 ; # 1088 ; # 1072 ; . 4. # 1069 ; # 1090 ; # 1072 ; # 1084 ; # 1086 ; # 1076 ; # 1080 ; # 1092 ; # 1080 ; # 1082 ; # 1072 ; # 1094 ; # 1080 ; # 1103 ; # 1088 ; # 1072 ; # 1089 ; # 1090 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1080 ; # 1087 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1091 ; # 1082 ; # 1090 ; # 1072 ; # 1093 ; # 1078 ; # 1080 ; # 1074 ; # 1086 ; # 1090 ; # 1085 ; # 1086 ; # 1075 ; # 1086 ; # 1087 ; # 1086 ; # 1089 ; # 1090 ; # 1077 ; # 1087 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1086 ; # 1073 ; # 1088 ; # 1077 ; # 1083 ; # 1072 ; # 1089 ; # 1074 ; # 1086 ; # 1077 ; # 1084 ; # 1077 ; # 1089 ; # 1090 ; # 1086 ; # 1079 ; # 1072 ; # 1084 ; # 1085 ; # 1086 ; # 1075 ; # 1080 ; # 1077 ; # 1089 ; # 1090 ; # 1086 ; # 1083 ; # 1077 ; # 1090 ; # 1080 ; # 1103 ; . 6. # 1055 ; # 1088 ; # 1086 ; # 1095 ; # 1090 ; # 1080 ; # 1090 ; # 1077 ; # 1080 ; # 1087 ; # 1080 ; # 1089 ; # 1100 ; # 1084 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1087 ; # 1077 ; # 1088 ; # 1077 ; # 1074 ; # 1077 ; # 1076 ; # 1080 ; # 1090 ; # 1077 ; # 1085 ; # 1072 ; # 1088 ; # 1091 ; # 1089 ; # 1089 ; # 1082 ; # 1080 ; # 1081 ; # 1103 ; # 1079 ; # 1099 ; # 1082 ; # 1090 ; # 1077 ; # 1082 ; # 1089 ; # 1090 ; . FOOD. 1. Food is indispensable to the nutrition of any organic structure or any signifier of life. Food normally consists of protein, saccharide, and fat. The organic structure uses them to prolong growing, fix, and critical procedures and to supply energy. 2. A figure of research works present a description of the procedures of soaking up and use of nutrient. We get an information on such methods as fixing natural nutrients for cookery, ingestion, or storage. From the articles we besides come to cognize about the art of selecting, preparing, and functioning all right nutrients or nutrients traditional to a part or population. So nutrient takes an of import topographic point in the circle of acquisition. 3. From the scientists point of position nutrient saving is the most serious job. Any of a figure of methods of saving supports nutrient from spoilage after crop or slaughter. 4. The pattern of continuing nutrient has a prehistoric beginning. The ancient people dried fruits and veggies, parched cereal grains, salted and dried fish and game. These antique methods developed really easy and were strictly empirical-fermentation, drying, smoke, and bring arounding with salt. 5. Then rapid progresss followed. Thus we get an information about bacterium, casts, or barms, micro-organisms. They are the major causes of nutrient spoilage. But there are about seven celebrated well-known methods in nutrient saving now, such as: chilling or freeze, desiccation, canning, smoke, salting, candying, and the add-on of chemical preservatives and inhibitors.Very frequently several rules combine. 6. The modern aim of nutrient saving includes concern for nutrient quality, for economic system, and, particularly, for convenience in add-on to the bar of spoilage. Color or visual aspect, spirit, texture or consistence, and alimentary value are the major quality factors. Naturally, quality factors depend on the degree of economic development. # 1055 ; # 1077 ; # 1088 ; # 1077 ; # 1074 ; # 1086 ; # 1076 ;: # 1045 ; # 1076 ; # 1072 ; . 1. # 1045 ; # 1076 ; # 1072 ; # 8211 ; # 1078 ; # 1080 ; # 1079 ; # 1085 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1085 ; # 1077 ; # 1086 ; # 1073 ; # 1093 ; # 1086 ; # 1076 ; # 1080 ; # 1084 ; # 1072 ; # 1076 ; # 1083 ; # 1103 ; # 1083 ; # 1102 ; # 1073 ; # 1086 ; # 1075 ; # 1086 ; # 1086 ; # 1088 ; # 1075 ; # 1072 ; # 1085 ; # 1080 ; # 1079 ; # 1084 ; # 1072 ; # 1080 ; # 1083 ; # 1080 ; # 1083 ; # 1102 ; # 1073 ; # 1086 ; # 1081 ; # 1092 ; # 1086 ; # 1088 ; # 1084 ; # 1099 ; # 1078 ; # 1080 ; # 1079 ; # 1085 ; # 1080 ; . # 1055 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1077 ; # 1086 ; # 1073 ; # 1099 ; # 1095 ; # 1085 ; # 1086 ; # 1089 ; # 1086 ; # 1089 ; # 1090 ; # 1086 ; # 1080 ; # 1090 ; # 1080 ; # 1079 ; # 1073 ; # 1077 ; # 1083 ; # 1082 ; # 1072 ; , # 1091 ; # 1075 ; # 1083 ; # 1077 ; # 1074 ; # 1086 ; # 1076 ; # 1072 ; , # 1080 ; # 1078 ; # 1080 ; # 1088 ; # 1072 ; . # 1054 ; # 1088 ; # 1075 ; # 1072 ; # 1085 ; # 1080 ; # 1079 ; # 1084 ; # 1080 ; # 1089 ; # 1087 ; # 1086 ; # 1083 ; # 1100 ; # 1079 ; # 1091 ; # 1077 ; # 1090 ; # 1080 ; # 1093 ; , # 1095 ; # 1090 ; # 1086 ; # 1073 ; # 1099 ; # 1089 ; # 1087 ; # 1086 ; # 1089 ; # 1086 ; # 1073 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1074 ; # 1072 ; # 1090 ; # 1100 ; # 1088 ; # 1086 ; # 1089 ; # 1090 ; # 1091 ; , # 1074 ; # 1086 ; # 1089 ; # 1089 ; # 1090 ; # 1072 ; # 1085 ; # 1086 ; # 1074 ; # 1083 ; # 1077 ; # 1085 ; # 1080 ; # 1102 ; # 1078 ; # 1080 ; # 1079 ; # 1085 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1094 ; # 1077 ; # 1089 ; # 1089 ; # 1086 ; # 1074 ; # 1080 ; # 1087 ; # 1086 ; # 1089 ; # 1090 ; # 1072 ; # 1074 ; # 1083 ; # 1103 ; # 1090 ; # 1100 ; # 1101 ; # 1085 ; # 1077 ; # 1088 ; # 1075 ; # 1080 ; # 1102 ; . 2. # 1052 ; # 1085 ; # 1086 ; # 1078 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1088 ; # 1072 ; # 1073 ; # 1086 ; # 1090 ; # 1080 ; # 1089 ; # 1089 ; # 1083 ; # 1077 ; # 1076 ; # 1086 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1089 ; # 1090 ; # 1072 ; # 1074 ; # 1083 ; # 1103 ; # 1102 ; # 1090 ; # 1086 ; # 1087 ; # 1080 ; # 1089 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; # 1087 ; # 1088 ; # 1086 ; # 1094 ; # 1077 ; # 1089 ; # 1089 ; # 1086 ; # 1074 ; # 1087 ; # 1086 ; # 1075 ; # 1083 ; # 1086 ; # 1097 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1080 ; # 1080 ; # 1089 ; # 1087 ; # 1086 ; # 1083 ; # 1100 ; # 1079 ; # 1086 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; . # 1052 ; # 1099 ; # 1087 ; # 1086 ; # 1083 ; # 1091 ; # 1095 ; # 1072 ; # 1077 ; # 1084 ; # 1080 ; # 1085 ; # 1092 ; # 1086 ; # 1088 ; # 1084 ; # 1072 ; # 1094 ; # 1080 ; # 1102 ; # 1080 ; # 1079 ; # 1090 ; # 1072 ; # 1082 ; # 1080 ; # 1093 ; # 1084 ; # 1077 ; # 1090 ; # 1086 ; # 1076 ; # 1072 ; # 1093 ; # 1082 ; # 1072 ; # 1082 ; # 1087 ; # 1086 ; # 1076 ; # 1075 ; # 1086 ; # 1090 ; # 1086 ; # 1074 ; # 1082 ; # 1072 ; # 1089 ; # 1099 ; # 1088 ; # 1099 ; # 1093 ; # 1087 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1091 ; # 1082 ; # 1090 ; # 1086 ; # 1074 ; # 1076 ; # 1083 ; # 1103 ; # 1082 ; # 1091 ; # 1083 ; # 1080 ; # 1085 ; # 1072 ; # 1088 ; # 1080 ; # 1080 ; , # 1087 ; # 1086 ; # 1090 ; # 1088 ; # 1077 ; # 1073 ; # 1083 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; , # 1080 ; # 1083 ; # 1080 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; . # 1048 ; # 1079 ; # 1089 ; # 1 090 ; # 1072 ; # 1090 ; # 1077 ; # 1081 ; # 1084 ; # 1099 ; # 1090 ; # 1072 ; # 1082 ; # 1078 ; # 1077 ; # 1091 ; # 1079 ; # 1085 ; # 1072 ; # 1077 ; # 1084 ; # 1086 ; # 1073 ; # 1080 ; # 1089 ; # 1082 ; # 1091 ; # 1089 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; # 1086 ; # 1090 ; # 1073 ; # 1086 ; # 1088 ; # 1072 ; , # 1087 ; # 1086 ; # 1076 ; # 1075 ; # 1086 ; # 1090 ; # 1086 ; # 1074 ; # 1082 ; # 1080 ; , # 1080 ; # 1086 ; # 1073 ; # 1089 ; # 1083 ; # 1091 ; # 1078 ; # 1080 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1077 ; # 1082 ; # 1088 ; # 1072 ; # 1089 ; # 1085 ; # 1099 ; # 1093 ; # 1087 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1091 ; # 1082 ; # 1090 ; # 1086 ; # 1074 ; # 1080 ; # 1083 ; # 1080 ; # 1087 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1099 ; # 1093 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1091 ; # 1082 ; # 1090 ; # 1086 ; # 1074 ; , # 1090 ; # 1088 ; # 1072 ; # 1076 ; # 1080 ; # 1094 ; # 1080 ; # 1086 ; # 1085 ; # 1085 ; # 1086 ; # 1086 ; # 1090 ; # 1085 ; # 1086 ; # 1089 ; # 1103 ; # 1097 ; # 1080 ; # 1093 ; # 1089 ; # 1103 ; # 1082 ; # 1088 ; # 1077 ; # 1075 ; # 1080 ; # 1086 ; # 1085 ; # 1091 ; # 1080 ; # 1083 ; # 1080 ; # 1085 ; # 1072 ; # 1089 ; # 1077 ; # 1083 ; # 1077 ; # 1085 ; # 1080 ; # 1102 ; . # 1058 ; # 1072 ; # 1082 ; # 1095 ; # 1090 ; # 1086 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1077 ; # 1080 ; # 1084 ; # 1077 ; # 1077 ; # 1090 ; # 1074 ; # 1072 ; # 1078 ; # 1085 ; # 1086 ; # 1077 ; # 1084 ; # 1077 ; # 1089 ; # 1090 ; # 1086 ; # 1074 ; # 1089 ; # 1092 ; # 1077 ; # 1088 ; # 1077 ; # 1077 ; # 1075 ; # 1086 ; # 1080 ; # 1079 ; # 1091 ; # 1095 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; . 3. # 1057 ; # 1090 ; # 1086 ; # 1095 ; # 1082 ; # 1080 ; # 1079 ; # 1088 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1091 ; # 1095 ; # 1077 ; # 1085 ; # 1099 ; # 1093 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; # 1089 ; # 1072 ; # 1084 ; # 1072 ; # 1103 ; # 1089 ; # 1077 ; # 1088 ; # 1100 ; # 1077 ; # 1079 ; # 1085 ; # 1072 ; # 1103 ; # 1087 ; # 1088 ; # 1086 ; # 1073 ; # 1083 ; # 1077 ; # 1084 ; # 1072 ; . # 1051 ; # 1102 ; # 1073 ; # 1086 ; # 1077 ; # 1084 ; # 1085 ; # 1086 ; # 1078 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1084 ; # 1077 ; # 1090 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1079 ; # 1072 ; # 1097 ; # 1080 ; # 1097 ; # 1072 ; # 1077 ; # 1090 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1077 ; # 1086 ; # 1090 ; # 1087 ; # 1086 ; # 1088 ; # 1095 ; # 1080 ; # 1087 ; # 1086 ; # 1089 ; # 1083 ; # 1077 ; # 1091 ; # 1088 ; # 1086 ; # 1078 ; # 1072 ; # 1103 ; # 1080 ; # 1083 ; # 1080 ; # 1088 ; # 1077 ; # 1079 ; # 1085 ; # 1080 ; . 4. # 1055 ; # 1088 ; # 1072 ; # 1082 ; # 1090 ; # 1080 ; # 1082 ; # 1072 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; # 1080 ; # 1084 ; # 1077 ; # 1077 ; # 1090 ; # 1076 ; # 1086 ; # 1080 ; # 1089 ; # 1090 ; # 1086 ; # 1088 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1086 ; # 1077 ; # 1087 ; # 1088 ; # 1086 ; # 1080 ; # 1089 ; # 1093 ; # 1086 ; # 1078 ; # 1076 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; . # 1044 ; # 1088 ; # 1077 ; # 1074 ; # 1085 ; # 1080 ; # 1077 ; # 1083 ; # 1102 ; # 1076 ; # 1080 ; # 1074 ; # 1099 ; # 1089 ; # 1091 ; # 1096 ; # 1080 ; # 1074 ; # 1072 ; # 1083 ; # 1080 ; # 1087 ; # 1083 ; # 1086 ; # 1076 ; # 1099 ; # 1080 ; # 1086 ; # 1074 ; # 1086 ; # 1097 ; # 1080 ; , # 1074 ; # 1099 ; # 1078 ; # 1078 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1077 ; # 1079 ; # 1077 ; # 1088 ; # 1085 ; # 1086 ; # 1093 ; # 1083 ; # 1077 ; # 1073 ; # 1085 ; # 1086 ; # 1075 ; # 1086 ; # 1079 ; # 1083 ; # 1072 ; # 1082 ; # 1072 ; , # 1089 ; # 1086 ; # 1083 ; # 1077 ; # 1085 ; # 1091 ; # 1102 ; # 1080 ; # 1074 ; # 1099 ; # 1089 ; # 1091 ; # 1096 ; # 1077 ; # 1085 ; # 1085 ; # 1091 ; # 1102 ; # 1088 ; # 1099 ; # 1073 ; # 1091 ; # 1080 ; # 1080 ; # 1075 ; # 1088 ; # 1091 ; . # 1069 ; # 1090 ; # 1080 ; # 1089 ; # 1090 ; # 1072 ; # 1088 ; # 1099 ; # 1077 ; # 1084 ; # 1077 ; # 1090 ; # 1086 ; # 1076 ; # 1099 ; # 1088 ; # 1072 ; # 1079 ; # 1074 ; # 1080 ; # 1074 ; # 1072 ; # 1083 ; # 1080 ; # 1089 ; # 1100 ; # 1086 ; # 1095 ; # 1077 ; # 1085 ; # 1100 ; # 1084 ; # 1077 ; # 1076 ; # 1083 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; , # 1090 ; # 1086 ; # 1075 ; # 1076 ; # 1072 ; # 1080 ; # 1084 ; # 1077 ; # 1083 ; # 1086 ; # 1084 ; # 1077 ; # 1089 ; # 1090 ; # 1086 ; # 1073 ; # 1099 ; # 1090 ; # 1100 ; # 1101 ; # 1084 ; # 1087 ; # 1080 ; # 1088 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1086 ; # 1077 ; # 1073 ; # 1088 ; # 1086 ; # 1078 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; , # 1074 ; # 1099 ; # 1089 ; # 1099 ; # 1093 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; , # 1082 ; # 1091 ; # 1088 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; , # 1080 ; # 1083 ; # 1077 ; # 1095 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; # 1089 ; # 1089 ; # 1086 ; # 1083 ; # 1100 ; # 1102 ; . 5. # 1047 ; # 1072 ; # 1090 ; # 1077 ; # 1084 ; # 1087 ; # 1086 ; # 1089 ; # 1083 ; # 1077 ; # 1076 ; # 1086 ; # 1074 ; # 1072 ; # 1083 ; # 1087 ; # 1088 ; # 1086 ; # 1075 ; # 1088 ; # 1077 ; # 1089 ; # 1089 ; . # 1058 ; # 1072 ; # 1082 ; # 1080 ; # 1084 ; # 1086 ; # 1073 ; # 1088 ; # 1072 ; # 1079 ; # 1086 ; # 1084 ; , # 1084 ; # 1099 ; # 1087 ; # 1088 ; # 1080 ; # 1086 ; # 1073 ; # 1088 ; # 1077 ; # 1090 ; # 1072 ; # 1077 ; # 1084 ; # 1080 ; # 1085 ; # 1092 ; # 1086 ; # 1088 ; # 1084 ; # 1072 ; # 1094 ; # 1080 ; # 1102 ; # 1086 ; # 1073 ; # 1072 ; # 1082 ; # 1090 ; # 1077 ; # 1088 ; # 1080 ; # 1103 ; # 1093 ; , # 1087 ; # 1086 ; # 1095 ; # 1074 ; # 1072 ; # 1093 ; , # 1080 ; # 1083 ; # 1080 ; # 1076 ; # 1088 ; # 1086 ; # 1078 ; # 1078 ; # 1072 ; # 1093 ; , # 1084 ; # 1080 ; # 1082 ; # 1088 ; # 1086 ; # 1086 ; # 1088 ; # 1075 ; # 1072 ; # 1085 ; # 1080 ; # 1079 ; # 1084 ; # 1072 ; # 10 93 ; . # 1054 ; # 1085 ; # 1080 ; # 1075 ; # 1083 ; # 1072 ; # 1074 ; # 1085 ; # 1099 ; # 1077 ; # 1087 ; # 1088 ; # 1080 ; # 1095 ; # 1080 ; # 1085 ; # 1099 ; # 1087 ; # 1086 ; # 1088 ; # 1095 ; # 1080 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; . # 1053 ; # 1086 ; # 1077 ; # 1089 ; # 1090 ; # 1100 ; # 1087 ; # 1088 ; # 1080 ; # 1073 ; # 1083 ; # 1080 ; # 1079 ; # 1080 ; # 1090 ; # 1077 ; # 1083 ; # 1100 ; # 1085 ; # 1086 ; # 1089 ; # 1077 ; # 1084 ; # 1100 ; # 1080 ; # 1079 ; # 1074 ; # 1077 ; # 1089 ; # 1090 ; # 1085 ; # 1099 ; # 1093 ; # 1084 ; # 1077 ; # 1090 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1074 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1080 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; # 1090 ; # 1077 ; # 1087 ; # 1077 ; # 1088 ; # 1100 ; , # 1090 ; # 1080 ; # 1087 ; # 1072 ; : # 1086 ; # 1093 ; # 1083 ; # 1072 ; # 1078 ; # 1076 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; # 1080 ; # 1083 ; # 1080 ; # 1079 ; # 1072 ; # 1084 ; # 1086 ; # 1088 ; # 1072 ; # 1078 ; # 1080 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; , # 1086 ; # 1073 ; # 1077 ; # 1079 ; # 1074 ; # 1086 ; # 1078 ; # 1080 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; , # 1082 ; # 1086 ; # 1085 ; # 1089 ; # 1077 ; # 1088 ; # 1074 ; # 1080 ; # 1088 ; # 1086 ; # 1074 ; # 1072 ; # 1085 ; # 1080 ; # 1077 ; , # 1082 ; # 1091 ; # 1088 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; , # 1089 ; # 1086 ; # 1083 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; , # 1080 ; # 1076 ; # 1086 ; # 1087 ; # 1086 ; # 1083 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; # 1093 ; # 1080 ; # 1084 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1080 ; # 1093 ; # 1082 ; # 1086 ; # 1085 ; # 1089 ; # 1077 ; # 1088 ; # 1074 ; # 1072 ; # 1085 ; # 1090 ; # 1086 ; # 1074 ; # 1080 ; # 1080 ; # 1085 ; # 1075 ; # 1080 ; # 1073 ; # 1080 ; # 1090 ; # 1086 ; # 1088 ; # 1086 ; # 1074 ; . # 1054 ; # 1095 ; # 1077 ; # 1085 ; # 1100 ; # 1095 ; # 1072 ; # 1089 ; # 1090 ; # 1086 ; # 1086 ; # 1073 ; # 1098 ; # 1077 ; # 1076 ; # 1080 ; # 1085 ; # 1103 ; # 1102 ; # 1090 ; # 1085 ; # 1077 ; # 1089 ; # 1082 ; # 1086 ; # 1083 ; # 1100 ; # 1082 ; # 1086 ; # 1087 ; # 1088 ; # 1080 ; # 1085 ; # 1094 ; # 1080 ; # 1087 ; # 1086 ; # 1074 ; . 6. # 1057 ; # 1086 ; # 1074 ; # 1088 ; # 1077 ; # 1084 ; # 1077 ; # 1085 ; # 1085 ; # 1072 ; # 1103 ; # 1094 ; # 1077 ; # 1083 ; # 1100 ; # 1089 ; # 1086 ; # 1093 ; # 1088 ; # 1072 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; # 1074 ; # 1082 ; # 1083 ; # 1102 ; # 1095 ; # 1072 ; # 1077 ; # 1090 ; # 1087 ; # 1088 ; # 1086 ; # 1080 ; # 1079 ; # 1074 ; # 1086 ; # 1076 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1087 ; # 1086 ; # 1082 ; # 1072 ; # 1095 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1091 ; # 1087 ; # 1088 ; # 1086 ; # 1076 ; # 1086 ; # 1074 ; # 1086 ; # 1083 ; # 1100 ; # 1089 ; # 1090 ; # 1074 ; # 1080 ; # 1103 ; , # 1087 ; # 1086 ; # 1101 ; # 1082 ; # 1086 ; # 1085 ; # 1086 ; # 1084 ; # 1080 ; # 1080 ; , # 1080 ; , # 1086 ; # 1089 ; # 1086 ; # 1073 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; , # 1076 ; # 1083 ; # 1103 ; # 1091 ; # 1076 ; # 1086 ; # 1073 ; # 1089 ; # 1090 ; # 1074 ; # 1072 ; # 1074 ; # 1076 ; # 1086 ; # 1087 ; # 1086 ; # 1083 ; # 1085 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; # 1082 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1086 ; # 1090 ; # 1074 ; # 1088 ; # 1072 ; # 1097 ; # 1077 ; # 1085 ; # 1080 ; # 1102 ; # 1087 ; # 1086 ; # 1088 ; # 1095 ; # 1080 ; . # 1062 ; # 1074 ; # 1077 ; # 1090 ; # 1080 ; # 1083 ; # 1080 ; # 1087 ; # 1086 ; # 1103 ; # 1074 ; # 1083 ; # 1077 ; # 1085 ; # 1080 ; # 1077 ; , # 1072 ; # 1088 ; # 1086 ; # 1084 ; # 1072 ; # 1090 ; , # 1089 ; # 1090 ; # 1088 ; # 1091 ; # 1082 ; # 1090 ; # 1091 ; # 1088 ; # 1072 ; # 1080 ; # 1083 ; # 1080 ; # 1087 ; # 1086 ; # 1089 ; # 1083 ; # 1077 ; # 1076 ; # 1086 ; # 1074 ; # 1072 ; # 1090 ; # 1077 ; # 1083 ; # 1100 ; # 1085 ; # 1086 ; # 1089 ; # 1090 ; # 1100 ; , # 1080 ; # 108 7 ; # 1080 ; # 1097 ; # 1077 ; # 1074 ; # 1072 ; # 1103 ; # 1094 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; # 1089 ; # 1090 ; # 1100 ; # 1075 ; # 1083 ; # 1072 ; # 1074 ; # 1085 ; # 1099 ; # 1077 ; # 1082 ; # 1072 ; # 1095 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1077 ; # 1092 ; # 1072 ; # 1082 ; # 1090 ; # 1086 ; # 1088 ; # 1099 ; . # 1045 ; # 1089 ; # 1090 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; # 1085 ; # 1085 ; # 1086 ; , # 1082 ; # 1072 ; # 1095 ; # 1077 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1077 ; # 1092 ; # 1072 ; # 1082 ; # 1090 ; # 1086 ; # 1088 ; # 1099 ; # 1079 ; # 1072 ; # 1074 ; # 1080 ; # 1089 ; # 1103 ; # 1090 ; # 1086 ; # 1090 ; # 1091 ; # 1088 ; # 1086 ; # 1074 ; # 1085 ; # 1103 ; # 1101 ; # 1082 ; # 1086 ; # 1085 ; # 1086 ; # 1084 ; # 1080 ; # 1095 ; # 1077 ; # 1089 ; # 1082 ; # 1086 ; # 1075 ; # 1086 ; # 1088 ; # 1072 ; # 1079 ; # 1074 ; # 1080 ; # 1090 ; # 1080 ; # 1103 ; . 7. # 1048 ; # 1079 ; # 1087 ; # 1088 ; # 1080 ; # 1074 ; # 1077 ; # 1076 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1093 ; # 1074 ; # 1072 ; # 1088 ; # 1080 ; # 1072 ; # 1085 ; # 1090 ; # 1086 ; # 1074 ; # 1086 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ; # 1072 ; # 1091 ; # 1082 ; # 1072 ; # 1078 ; # 1080 ; # 1090 ; # 1077 ; # 1085 ; # 1086 ; # 1084 ; # 1077 ; # 1088 ; # 1087 ; # 1088 ; # 1077 ; # 1076 ; # 1083 ; # 1086 ; # 1078 ; # 1077 ; # 1085 ; # 1080 ; # 1103 ; , # 1089 ; # 1086 ; # 1076 ; # 1077 ; # 1088 ; # 1078 ; # 1072 ; # 1097 ; # 1077 ; # 1075 ; # 1086 ; # 1087 ; # 1088 ; # 1072 ; # 1074 ; # 1080 ; # 1083 ; # 1100 ; # 1085 ; # 1099 ; # 1081 ; # 1086 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ; # 1085 ; # 1072 ; # 1087 ; # 1086 ; # 1089 ; # 1090 ; # 1072 ; # 1074 ; # 1083 ; # 1077 ; # 1085 ; # 1085 ; # 1099 ; # 1081 ; # 1074 ; # 1086 ; # 1087 ; # 1088 ; # 1086 ; # 1089 ; : What are the chief causes of nutrient spoilage? 1. The chief causes of nutrient spoilage are chemical preservatives. 2. The chief causes of nutrient spoilage are assorted foods. 3. The chief causes of nutrient spoilage are bacteriums, casts and micro-organisms. # 1054 ; # 1090 ; # 1074 ; # 1077 ; # 1090 ; : # 1074 ; # 1072 ; # 1088 ; # 1080 ; # 1072 ; # 1085 ; # 1090 ; 3.